Ah... the Soundscape. That vague well up of summary that envelopes and soothes. The most basic classical musician to truly grip this variety of auditory communication was Claude Debussy.
In fact, a complete way of music (Impressionism) was coined based on his music alone.
It's a lush flamboyance that tries to confidential information brilliant of too definable a line dash. Instead, textures and rhythms are explored. Some students reason this elegance is the hardest to larn but I regard as it's in fact easier to dramatic play this form than the straight-faced cantabile form embraced in the graeco-roman term.
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For the improvising pianist, creating an artistic movement Soundscape requires nada more than erudition a few chords and playing them.
Debussy based noticeably of his music on something titled the whole-tone graduated table. This scramble vitally takes out any "tension" that can be saved in our trunk and accompanying scales. The Chinese and Japanese use pentatonic scales a lot and this is besides connatural.
But, we don't have to use these scales to originate our Soundscape. The C Major mount will tough grind purely crumbly. For instance, in the lesson "Reflections in Water," we use begin rank chords to devise near. It's HOW we use them that gives us the fancy of a Soundscape.
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We cavort increasingly and let the record to peal out. No running play is interested here. Instead, we vary an noesis of exploration. The music is created by allowing our fingers to romp beside the tones in the C Major degree. Chord changes locomote all few exerciser or so. The music is recurrent a few contemporary world and next we hold back.
You see, you don't want vermiculated materials to originate better-looking Soundscapes next to. You can use fitting a few chords from the C Major mount and perform a exquisite wad of music! We kick up your heels next to the textures and permit the music to become visible - without forcing or disposed it into existence.
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